Ramchandra, Salil Chowdhury, Kalyanji Anandji, Ilaiyaraaja, A. The film industry of India supported music by according reverence to classical music while utilizing the western orchestration to support Indian melodies. The biggest form of Indian popular music is filmi, or songs from Indian films, it makes up 72% of the music sales in India. Main articles: Filmi and Music of Bollywood The main languages are Kumaoni and Garhwali. Tabla and harmonium are also used, but to a lesser extent. Musical instruments used in Uttarakhand music include the dhol, damoun, turri, ransingha, dholki, daur, thali, bhankora and masakbhaja. Thus the songs of Uttarakhand are a true reflection of the Cultural Heritage and the way people live their lives in the Himalayas. The folk music primarily is related to the various festivals, religious traditions, folk stories and simple life of the people of Uttarakhand. The pure and blessed music have the feel and the touch of nature and subjects related to nature. Uttarakhandi folk music had its root in the lap of nature. Examples: Apni Azadi Ko Hum Hargis Mita Sakte Nahin, ajadee hoyni tor, Kadam kadam badhaye jaa, Vande Mataram, etc. Due to the British occupation in India, a lot of protest songs about anti-imperialism/pro-socialism have been written in India.

The songs are usually about Freedom, community strength, patriotism. Ganasangeet is generally sung in chorus carrying some social message. There is also another type of dance and music associated with Dandiya/Raas called Garba. It is practiced in (mainly) the state of Gujarat. The present musical style is derived from the traditional musical accompaniment to the folk dance. Bihu of AssamДandiya or Raas is a form of Gujarati cultural dance that is performed with sticks. The national anthem of India and national anthem of Bangladesh are Rabindra Sangeets. Many singers in West Bengal and Bangladesh base their entire careers on the singing of Tagore musical masterpieces. Writing in Bengali, he created a library of over 2,000 songs now known by Bengalis as rabindra sangeet whose form is primarily influenced by Hindustani classical, sub-classicals, Carnatic, western, bauls, bhatiyali and different folk songs of India. Rabindranath Tagore was a towering figure in Indian music. Rabindra Sangeet used Indian classical music and traditional folk music as sources. 'Sangeet' means music, 'Rabindra Sangeet' means music (or more aptly Songs) of Rabindra.

They have distinctive characteristics in the music of Bengal, popular in India and Bangladesh. Rabindra Sangeet ( Bengali: а¦°а¦¬а§Ђа¦Ёа§Ќа¦¦а§Ќа¦°а¦ёа¦™а§Ќа¦—а§Ђа¦¤ Robindro shonggit, Bengali pronunciation: ), also known as Tagore songs, are songs written and composed by Rabindranath Tagore. Light classical or semi-classical, among others: Thumri, Dadra, Ghazal, Chaiti, Kajri and Tappa and Qawwali. Sivaraman, Sanjay Subrahmanyan, Balaji Shankar, TM Krishna, Bombay Jayashri, Aruna Sairam and Mysore Manjunath.Д®very December, the city of Chennai in India has its six-week-long Music Season, which has been described as the world's largest cultural event.Д¬arnatic music has served as the foundation for most music in South India, including folk music, festival music and has also extended its influence to film music in the past 100вЂ“150 years or so. Noted artists of Carnatic Music include Ariyakudi Ramanuja Iyengar (the father of the current concert format), Semmangudi Srinivasa Iyer, Alathur Brothers, MS Subbulakshmi, Lalgudi Jayaraman and more recently Balamuralikrishna, TN Seshagopalan, K J Yesudas, N. Purandara Dasa is considered the father of Carnatic music, while Tyagaraja, Shyama Shastry and Muthuswami Dikshitar are considered the trinity of Carnatic music. There are about 7.2 million ragas (or scales) in Carnatic Music, with around 300 still in use today. The main emphasis is on the vocals as most compositions are written to be sung, and even when played on instruments, they are meant to be performed in a singing style (known as gДЃyaki).

It consists of a composition with improvised embellishments added to the piece in the forms of Raga Alapana, Kalpanaswaram, Neraval and, in the case of more advanced students, Ragam Talam Pallavi (Raga, Tala, Pallavi). Like Hindustani music, Carnatic music is melodic, with improvised variations, but tends to have more fixed compositions. It is said to have originated in the South Indian state of Karnataka. The present form of Carnatic music is based on historical developments that can be traced to the 15th - 16th centuries AD and thereafter.

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